When I watch Nora Fatehi on the screen, I forget about our object number: Yasir Hussain

Yasir Hussain is not a stranger to speak his truth from the screen. Last month he shared his views on extramarital affairs. Now, in an exclusive interview with Nukta Life, Yasir had some thoughts on “object numbers” in Pakistani films. These are songs that have a rarely lined “girl” that dancing seductively in provocative lyrics. The song itself usually has little or no link to the plot, with the sole purpose of being only to design crowds in the theater.

Yasir highlighted this double model where our culture enjoys the songs of the elements, but it widely condemned it. “We must first understand what our culture is. Is this before or after the apartment?” He said.

As Pakistani commercial films have recently taken off, many productions in Pakistani cinema characterize a number of objects with A-List actresses like Ayesha Omar Dancing on Song Ice cream and Saba Qamar swirls Kalabaaz Dil.

Yasir continued to work out how this culture of dance women’s watching goes back to the season before the spatial. “That didn’t start today,” he said. “People have always paid to watch women are dancing, so why not recognize that?” Heeramandi was around Mughal’s era, so there is nothing new about it, we closed all that down in the 1980s, but it has been found again in the form of these songs. “

He mentioned how songs were presented in old Pakistani films. “If you watch old movies, you see Mrs. Noor Jehan singing songs and actors dancing. It wasn’t a big deal.” He said. “How did it suddenly disappear from our screens? We experienced a shift in our culture or went back in time.”

Expressing his own attitude, he said: “I don’t like the numbers of objects in Pakistan. The reason for this is when I watch Nora Fatehi on the screen, I forget about the numbers of Pakistani elements.

To improve these songs, Yasir had an advice for Pakistani filmmakers. “If you want to make objects, then make them from the same level. You can’t try to create boundaries and want to see women dancing as well,” he said.

Finally, the actor suggested that if filmmakers insist on adding them, there should be regulations around them. “What the government can do is to charge heavy taxes for them, at least it benefits us,” he said. “You can’t really close them.”

Despite the criticism and hatred that are directed to artists, it cannot be disputed that the locally produced elements of shelves up to millions on YouTube.