Characterized by the lost capabilities
Karachi: Undoubtedly, Deemak is the most divisive Pakistani liberation of the year. For those who still rely on “support local cinema” regardless of the boat or cohesion of a movie, this is probably the moment they are waiting. A tougher criticism of director Rafay Rashdi’s director of horror-family drama can be very easy-if it was not about the frustrating situation of Pakistani cinema. When the only local competition is a movie like Love Guru, hopes for a living Eidul Azha in the movies is already dim. If the audiences are tired of seeing Humayun Saeed and Mahira Khan come back
